Old
Gadfly: IM, some of my colleagues told
me they thought the Animal Farm
graphic, President Obama, and logo collage seemed “over the top.” I asked, “In what sense?” The typical response was that it offended
them by being insensitive.
IM
(an American citizen with an inquiring mind):
Insensitive toward whom or what?
Old
Gadfly: Isn’t it obvious that the
collage is insensitive toward President Obama?
IM: Well, let’s think about this. Being “insensitive” is about a lack of
feeling about something. So, if my
graphic implies a lack of feeling for someone in particular, then I would say
that the message intended by the graphic has absolutely nothing to do with
feelings. Thus, anyone choosing to be
offended by the graphic is reacting to their own set of feelings toward or
attachment to President Obama.
AM (an
American combat aviator with an inquiring mind): Is this where the concept of “false
consciousness” applies, as in our last discussion about Margaret Sanger’s
propaganda about women and motherhood?
Old
Gadfly: Excellent connection, AM.
IM: When Orwell completed the manuscript for Animal Farm in 1944, he could not find a
publisher because of perceived “insensitivities.”[1] Orwell’s experiences in the Spanish Civil war
shaped his very serious concerns about propaganda. In a 1947 preface to the Ukrainian edition of
the book, Orwell described, “how easily totalitarian propaganda can control the
opinion of enlightened people in democratic countries.”[2]
Old
Gadfly: Orwell had a special “indentured
class” status for sheep. The bleating
sheep remind me of the mainstream media.
How about the dogs in the graphic, IM?
IM: Good question. Here’s a passage from Animal Farm:
Until now the animals had been equally divided in their
sympathies, but in a moment Snowball’s (Napoleon’s ideological opponent)
eloquence had carried them away. . . By the time he had finished speaking,
there was no doubt as to which way the vote would go. But just at this moment Napoleon stood up
and, casting a peculiar sidelong look at Snowball, uttered a high-pitched whimper
of a kind no one had ever heard him utter before.
At this
there was a terrible baying sound outside, and nine enormous dogs wearing
brass-studded collars came bounding into the barn. They dashed straight for Snowball, who only
sprang from his place just in time to escape their snapping jaws. In a moment he was out of the door and they
were after him. . . . Then he put on an extra spurt and, with a few inches to
spare, slipped through a hole in the hedge and was seen no more.[3]
Old
Gadfly: Eerie. Makes you think about Eric Holder and Lois Lerner,
among others. What is the significance
of the logo behind President Obama?
IM: We discussed
the logo almost a year ago. Here is
what I said:
Obama’s logo signifies a rising sun within a circle that
represents “O” in Obama. The sun
represents hope over the “changed” landscape of America as symbolized in the
complete restructuring of the elements of the American flag. The change is the fundamental change Obama
keeps promising and pushing in violation of the “self-governing” ideal “gifted”
to us by our founders.
AM: The logo reminds me that a couple days ago I
read an interesting
analysis about terrorist groups such as al Qaeda and ISIS. The article was written by a former member of
such a group. Essentially, these groups
represent an ideological movement characterized by five key elements: Islamism (the ideology), narratives, cult of
personality, iconographic prowess, and an end goal. Sound familiar? Here in America we are confronted with our
own movement: progressivism, narratives advanced
by a complicit media, Obama the Messiah, the Organizing for America logo (discussed
above and pictured with the cult personality superimposed) for iconographic
prowess, and a “fundamentally transformed America” as the end goal.
Old
Gadfly: But al Qaeda and ISIS are brutal
in their methods.
AM: One movement strives for a Caliphate as the
governing power; the other strives for a deified progressive state as the
governing power. While not as physical,
America is accumulating its own casualties in terms of a major loss of international
credibility and in our national
decay.
Old
Gadfly: The decay will generate a
void. Evil will fill the void. As we know, history has recorded how evil
triumphed when good people chose to do nothing about it. Is it over the top to warn against such
possibilities? I think not. It would be insensitive to those who gave
their lives, fortunes, and sacred honor to give us the American ideal.
[1] As cited in “Animal Farm,” Wikipedia,
retrieved on September 1, 2014 from http://en.wikipedia.org/wiki/Animal_Farm#cite_note-26
[2] Ibid.
[3] George Orwell, Animal Farm, (New York, NY:
Signet Classics, 1996 [1945]), pp. 52-53. Ironically, given the tremendous reluctance
of any publisher to publish the manuscript, today’s publishers have no
reservation in financially benefitting from the fruit of Orwell’s labor.
After 40 years of progressive momentum...and unfortunately the rise in world evil...this combination of evil and debt may bring these progressives to their demise although it will be ugly for us all for a while...but hopefully the republic that we used to have may be restored...
ReplyDeleteFriend,
ReplyDeleteThank you for your comment.
On the occasion of Labor Day (an obsolete idea obscured by a desire for leisure opportunity?), IM, AM and I wanted to respond to concerns that the previous article, "America's Indentured Classes," may have been "over the top." Essentially the answer is similar to what is beauty: it is determined in the eye of the beholder.
Food for thought.
Best,
Old Gadfly
Hello Gadfly,
DeleteWhat is beauty? I feel compelled to respond to that one.
I believe it was Chaucer who wrote, “Beauty is truth, and truth is beauty. That is all ye know in this world and all ye need know.”
Best,
A Friend
Friend,
DeleteThank you for the comment. We're talking about two very important concepts here: beauty and truth. My reference to "beauty is in the eye of the beholder" has been attributed to Margaret Wolfe Hungerford (http://www.answers.com/Q/Who_said_beauty_is_in_the_eye_of_the_beholder&src=ansTT).
The quote you offer is even more powerful. The quote is from the poem, "Ode to a Grecian Urn," by John Keats. The meaning of these two concepts is quite metaphysical and reflects Keats's own struggles for the meaning of life. An excellent analysis of the poem can be found here: http://www.articlemyriad.com/analysis-ode-grecian-urn-keats/.
In a sense, Keats captures the existential futility that is so characteristic of Marxist socialism, so brilliantly expressed by Orwell in his book, Animal Farm.
This is the kind of exchange for which Gadfly Corner was designed. Please keep those comments and counterarguments flowing!
Best,
Old Gadfly
Thanks, Gadfly.
DeleteYes, I remember more clearly now that you point out that it was from Keats’ “Ode to a Grecian Urn”. Interesting what things stick with us as the decades fall away.
The truths of our universe are elegantly simple. Just as a unified theory of public administration will be elegantly simple in its truth, when eventually discerned. Hence its beauty (nearness to perfection; as in unification).
Long ago I read “Animal Farm” and also “1984”, finding it difficult to put both down. Amazing to me the accuracy of “1984”, as it is still unfolding. Prediction some 65 years into the future (published in 1949) is very difficult, yet the core of his warnings are almost inextricably with us daily, and the next generation will have known nothing else, including the terrorism. The vestiges of a post-WWII society are upon us in full.
Best,
A Friend